精品推荐-福禄寿盘 （大清康熙年制）

大清康熙年制落款是正规的官窑款，但最重要的还要看瓷器本身，不能单从款识来判断!

官窑器大部分有款，总的看来是以“大清乾隆年制”三行六字篆书款用得最多，三行六字楷书款在祭红等器物上较为常见，两行六字楷书款在白地红彩等品种上虽有，但很少能见到。

The year of Emperor Kangxi of the Qing dynasty is the official kiln sign, but the most important thing is to see the porcelain itself, not only from the sign to judge! Most of the official kiln wares had styles. Generally speaking, it seemed that the seal script with three lines and six characters was most commonly used in the“Year of Emperor Qianlong in the Qing dynasty.” The three lines and six characters in regular script were more common in sacrificial red and other objects, although there are two lines of six-character regular script in white land, red color and other varieties, but rarely seen.

康熙瓷器底款特征：康熙时期瓷器造型古拙、凝重而质朴。此时，尽管胎土精细，瓷质坚密，但在明末器型敦厚的遗习影响下，早期的胎体，仍未能摆脱前朝胎体厚重的特征。这在康熙前期尤为突出。至中晚期胎体彩逐渐变薄，但又有别于雍正时期的轻薄娟秀。从现在传世的官、民窑此去无中可以看出，康熙瓷器大部分都烧制的很精细，这首先应该归功于胎体的精良和制坯成型技术的纯熟

Kangxi porcelain base features: Kangxi period porcelain modeling ancient, dignified and simple. At this time, although the clay fine, dense porcelain, but in the late Ming dynasty, under the influence of the body-type Dunhuang, the early body, still can not get rid of the body before the feature of heavy. This is particularly prominent in the early Kangxi. To the late body color gradually thin, but different from the Yongzheng period of light and delicate. It can be seen that most of Kangxi porcelain is very fine, which should be attributed to the fine body and the green molding technology

清代雕漆继承了明代嘉靖和万历时期的风格，雕刻精细，不善藏锋，刀痕外露，虽有磨工，但远不如明早期圆润光滑。清代雕漆在雕刻精细方面超过了以往任何时期，如剔红海水龙纹方盒，盒面雕刻的海水纹根根不断，细如游丝，令人赞叹工匠之高超技艺。

清代雕漆工艺，在雕漆品种之全面、使用范围之广泛、表现形式之丰富、雕刻刀法之精细等方面超越了前代，达到历史的峰巅。

国内市场与日本和欧美市场相比，对雕漆的认可度和重视程度还不足，拍卖价格还有很大潜力可挖。业内专家认为，国际市场的价格会慢慢影响到国内市场，长远看，雕漆的投资价值会比较高。从年代上看，宋元明清时期的漆器前景更好；从工艺上看，像雕漆这样做工精细的漆器将受到更多的追捧。清代雕漆以走宫廷路线的最具投资潜力，另外，专家指出，漆器收藏很“认人”，名家制作的漆器更有投资潜力。

Qing dynasty carved lacquer inherited the Ming dynasty Jiajing and Wanli period of the style, fine carving, not good hide front, knife marks exposed, although there are grinding, but far less smooth and rounded than the early Ming dynasty. Qing dynasty lacquer carving in the fine aspects of more than any previous period, such as the Red Sea Dragon pattern box, box surface carving of the sea pattern root is continuous, as fine as Gossamer, amazing craftsmanship. In Qing dynasty, the carving lacquer craft surpassed the previous generation in such aspects as the comprehensive variety, the wide range of use, the rich form of expression, the fine carving knife method and so on, and reached the peak of history.

The domestic market and the Japanese and European and n markets, the degree of recognition and attention to carved lacquer is insufficient, auction prices have great potential to tap. Industry experts believe that the price of the international market will slowly affect the domestic market, in the long run, the value of the investment in lacquer will be higher. From the perspective of age, the prospects of the song, Yuan, Ming and Qing dynasties lacquerware is better; from the perspective of technology, such as carved lacquer fine work lacquerware will be more sought after. Qing dynasty carved lacquer to take the palace line of the most investment potential, in addition, experts point out that the collection of lacquer is very“Recognition”, famous artists made lacquer more investment potential.